ALLEY BABBLE AND THE FORTY THEMES
I’ve always loved Rhapsody in Blue!
As we have noted, out of the cacophony and babble of pre-WWI Tin Pan Alley came the Roaring Twenties and the Jazz Age (not to mention Prohibition, 1920-33). If any one song could be said to capture the pulse (and become the anthem) of this dynamic cultural shift, it has to be George Gershwin’s RHAPSODY IN BLUE, written in 1924 and heard (in part) here at the outset of Woody Allen’s paean of a movie to a place called MANHATTAN:
RHAPSODY IN BLUE was commissioned by band leader Paul Whiteman and introduced to the world by his orchestra (with Gershwin himself at the piano) at NYC’s Aeolian Hall on Feb. 12, 1924. It subsequently served as Whiteman’s theme song — theme songs being a virtual prerequisite for big bands and dance bands of the 1930s. One ‘whiff’ of a familiar opening theme song immediately identified a band to radio listeners, and set the stage for a band’s performances at ballrooms, dance halls and other venues wherever they played.
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